Recommended New Music: January & February 2018







“I Can Feel You Creep Into My Private Life”, tune-yards fourth album, is their most confrontational and political yet, while leaning towards a poppier direction musically. Lyrically, group leader Merrill Garbus focuses heavily on social justice as well as cultural appropriation and white guilt, critical of white liberals turning a blind eye toward injustice. The music is funky and bass-driven with Garbus’s otherworldly harmonies with herself giving the group a signature song. Standout tracks include “Colonzier”, “Coast To Coast” and lead track “Heart Attack”.



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Ty Segall is one of the most prolific artists working today. Even a music-obsessive such as I probably knows much less than half his discography. He’s released twenty albums in just under a decade so one must narrow the focus on the standout releases if possible. “Freedom’s Goblin” is a sprawling double album which takes from nearly every non-radio friendly electric guitar sound of the last fifty years. Early Metal, Stoner-rock, Crazy Horse inspired guitar jams, T-Rex-era glam rock, late sixties garage rock- it’s all here. There is even a kick-ass cover of disco-funk band Hot Chocolate’s “Everyone 1’s A Winner”. With an album this long not every track is created equal- Segall is intentionally messy and stylistically all over the place but the dude shreds and anyone lamenting the decline of guitar rock should check this out immediately.



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“Snares Like A Haircut” is L.A. punk duo No Age’s first album since 2013 and their best in a decade. In fact it’s also my favorite album of the year so far. No Age take the hard driving energy of punk and the beautiful feedback haze of shoegaze and add it to sharp songwriting which has hooks for daze. They are equal parts pop and experimentation and “Snares”, their fifth full-length album, contains their best set of songs since “Nouns”. The highlights are abundant and include “Drippy”, “Cruise Control” and “Tidal”. Nearly every track on the album is under four minutes and the second the album ends it leaves the listener wanting more.



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Third album by experimental post-punk Montreal band Ought takes the group in a slightly more commercial direction to solid results. Ought has a decidedly eighties post-punk sound- think post-“Entertainment”-era Gang Of Four, a slightly less gloomy Joy Division and mid-eighties The Fall. Singer Tim Darcy sounds even more like The Fall’s Mark E. Smith than James Murphy of LCD Soundsystem does. Each of Ought’s previous albums has contained a few absolute gems and “Room Inside the World” is no different. “Desire” and “Disgraced In America” are two absolute standouts here, but while it is very unlikely you’ll start hearing Ought on the radio anytime soon, “Room” could end up opening up the band to a wider audience.



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I have been hearing about Screaming Females for years and finally decided to take the plunge and listen to them on their seventh album “All At Once”. I am damn glad I did and I definitely see what all of the fuss was about. The band is led by singer and lead guitarist Marissa Paternoster who delivers distinct, impassioned vocals and muscular guitar riffs. Apparently the group has tightened up its songwriting and taken its sound to a more radio-ready, pop-punk place. What I hear is a kick-ass, solid rock band with tons of hooks and I am excited to explore them more.



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