50. ROLLING BLACKOUTS COASTAL FEVER- HOPE DOWNS

 

Full-length debut by Melbourne, Australia quintet is a rock solid album where all ten tracks are winners.  The group brings to mind late 80’s jangle pop and early 90’s alt-rock- think Feelies, R.E.M. & the Go-Betweens.  RBCF consists of three rotating singer/guitarists which keep the songs from sounding alike.  They also move quickly from slashing rock tracks to more melodic pop driven ballads.  I didn’t hear this album until the very end of 2018 so it has barely set in but on my first few listens it sounds like one of the more replayable rock albums in recent years and a breath of fresh air.

 

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49. CUPCAKKE- EUPHORIZE

 

Most high profile album release by twenty year old, Chicago underground rapper Cupcakke.  It’s probably the filthiest album by a female rapper since Lil Kim’s debut in 1996- her punchlines are over-the-top, outrageous and outright hilarious while being sex positive and all inclusive.  Her beats are upbeat and club-ready with the biggest highlights being “Crayons” and “Duck Duck Goose”.

 

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48. ARCTIC MONKEYS- TRANQUILITY BASE HOTEL + CASINO

 

After Arctic Monkeys fifth album “AM” broke through in America, threatening to make the British indie-rock band one of the biggest rock n’ roll bands on the planet, the band’s sixth album “Tranquility Base Hotel + Casino” shows them taking a sharp left turn toward lounge-lizard spacey synth and piano based esoteric singer-songwriter music heavily influenced by early seventies Bowie.  Though the album takes awhile to grab onto, it reveals itself more with each listen, enriching the band’s already solid catalog.  It also seems to free the group up to do whatever it wants next.  Choice cut is the awesome “Four Out Of Five”.

 

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47. SHAME- SONGS OF PRAISE

 

 

Debut albums from South London post-punk band, who is indebted to Joy Division Gang Of Four & Interpol.  While Shame’s sound is certainly nothing new, their passionate, raw, intense, pissed off and political songs play well against the backdrop of Trump and Brexit and the band ramp’s down the experimentation of their influences creating an album of muscular, hard-charging, anthemic rock.

 

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46. FRANKIE COSMOS- VESSEL

 

3rd full-length album by Frankie Cosmos, AKA Great Kline, the NYC-bred daughter of actors Kevin Kline and Phoebe Cates.  Kline plays a short & simple, but hooky hybrid of indie-rock and twee pop.  “Vessel” is 18 songs in under 35 minutes, blunt but often profound musings on life and love in the big city.  Not every song is perfect, but she never leaves you time to get bored.  The track “Duet” melts my heart and songs like “Same Thing” and “Apathy” are some of her best work yet.

 

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45. MOUNT EERIE- NOW ONLY

 

“Now Only” is the companion album to Phil Elverum’s beautiful and haunting “A Crow Looked At Me”, made in the shadow of the death of his beloved wife to cancer.  Where “Crow” moved chronologically through a brief but harrowing and intense period of time, “Now Only” takes a more non-linear approach, reaching back to Elverum’s childhood and up to the present, where he has to reconcile how to move forward in his life with a young daughter and without the love of his life.

 

 

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44. FLASHER- CONSTANT IMAGE

 

 

Debut album from political D.C. punk band who sound more like a blend of early 80’s post punk & new wave. “Constant Image” is a short album, all killer & no filler with punchy hooks. Philosophically taking stabs at an array of social injustices, Flasher’s anger is palpable but it goes down smoothly. One of the best debuts of the year and though its sound is nothing new, Flasher also sounds like nothing else now.

 

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43. OUGHT- ROOM INSIDE THE WORLD

 

Third album by experimental post-punk Montreal band Ought takes the group in a slightly more commercial direction to solid results. Ought has a decidedly eighties post-punk sound- think post-“Entertainment”-era Gang Of Four, a slightly less gloomy Joy Division and mid-eighties The Fall. Singer Tim Darcy sounds even more like The Fall’s Mark E. Smith than James Murphy of LCD Soundsystem does. Each of Ought’s previous albums has contained a few absolute gems and “Room Inside the World” is no different. “Desire” and “Disgraced In America” are two absolute standouts here, but while it is very unlikely you’ll start hearing Ought on the radio anytime soon, “Room” could end up opening up the band to a wider audience.

 

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42. JOEY PURP- QUARTERTHING

 

Underrated Chicago rapper Joey Purp delivers a worthy follow-up to 2016’s excellent mixtape “iiiDrops”.  Purp toes the line between conscious rap and hard, street tough modern gangsta rap.  “Quarterthing” contains bangers that will also make you think and the dextrous Purp is able to dance around among styles and voices, creating an exciting, varied album.  Standout tracks are “Hallelujah”, “Godbody” and “Lebron James”.

 

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41. BOYGENIUS- EP

 

Boygenius is an exciting all female indie-rock supergroup consisting of Phoebe Bridgers, Lucy Dacus & Julien Baker.  Each individual brings their outsize talents to the 6 song EP creating a whole equal to the sum of its amazing parts.  If this project is a one off, it’s a pretty great one. If it ends up bearing more fruit then it will be exciting to see where they go next.  It’s also well worth checking out each musician’s music on its own.

 

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40. BLOOD ORANGE- NEGRO SWAN

 

 

“Negro Swan”, Dev Hynes’s fourth album as Blood Orange, examines the flipsides of ‘ugly’ and ‘beauty’ and what is is like to live in the margins as an African-American gay person in modern America.  Hynes is a top-notch producer, who works with some of the biggest & best pop stars of today including Solange Knowles, Haim, Sky Ferreira & Carly Rae Jepsen.  Though his music is never boilerplate pop, Blood Orange is the place where he expands and explores his music to the greatest depth.  “Negro Swan” is a lot to dig through and is not immediately accessible, revealing its greatness slowly. “Nappy Wonder”, “Orlando” and “Runnin’ (with Georgia Anne Muldrow) are early highlights.

 

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39. TOMBERLIN- AT WEDDINGS

 

 

 

Debut album from Kentucky-based singer songwriter Sarah Beth Tomberlin.  Raised in a suffocatingly strict southern Baptist home, Tomberlin grapples with the loss of her religious faith and “At Weddings” celebrates the beauty of every day mundanity resulting in intimate music which is devastatingly beautiful and heart wrenching.  Key tracks are “Any Other Way” and “I’m Not Scared”.

 

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38. DIRTY PROJECTORS- LAMP LIT PROSE

 

Coming a just a year behind his 2017 self-titled break-up album about Dirty Projector’s leader Dave Longstreth’s longterm bandmate and partner Amber Coffman, “Lamp Lit Prose” has flown a bit under the radar this year.  “Lamp Lit Prose” is a lovestruck, optimistic album about finding that earthquaking romance after a long period of depression.  With track titles like “Break-Thru”, “I Feel Energy”, “I Found It In U”, “You’re The One” and “(I Wanna) Feel It All”, Longstreth’s joy is palpable and the buoyancy of the music here matches the lyrics.  In a year and a time filled with anger and often despair, “Lamp Lit Prose” is a light in the dark.

 

 

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37. TY SEGALL- FREEDOM’S GOBLIN

 

 

Ty Segall is one of the most prolific artists working today. Even a music-obsessive such as I probably knows much less than half his discography. He’s released twenty albums in just under a decade so one must narrow the focus on the standout releases if possible. “Freedom’s Goblin” is a sprawling double album which takes from nearly every non-radio friendly electric guitar sound of the last fifty years. Early Metal, Stoner-rock, Crazy Horse inspired guitar jams, T-Rex-era glam rock, late sixties garage rock- it’s all here. There is even a kick-ass cover of disco-funk band Hot Chocolate’s “Everyone 1’s A Winner”. With an album this long not every track is created equal- Segall is intentionally messy and stylistically all over the place but the dude shreds and anyone lamenting the decline of guitar rock should check this out immediately.

 

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36. COURTNEY BARNETT- TELL ME HOW YOU REALLY FEEL

 

Sophomore album “Tell Me How You Really Feel” sounds smaller and more minor than Courtney Barnett’s 2015 full-length debut “Sometimes I Sit and Think and Sometimes I Just Sit”, which was a surprise hit for the young Australian singer-songwriter who has a way with quippy, memorable and detailed lyrics and crunchy guitar riffs.  “Feel” is more introverted with less hit potential but it does not feel like a misstep.  I think in time it will show as an under-appreciated album with a handful of hidden gems- a likable album among a series of peaks and dips in the hopefully long and storied career of a major songwriting talent.

 

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35. SUPERCHUNK- WHAT A TIME TO BE ALIVE

 

 

11th full-length release by North Carolina indie-heroes Superchunk, continues their brilliant 2010’s late career run with “What A Time To Be Alive”, an energetic, angry and political album perfectly ripe for these crazy times. It is therapeutic to listen to people in their fifties calling out “old people” their age, or not much older for all of the messes they have made. Among the many album highlights are the title track, closer “Black Thread” and “Reagan Youth”. Another feather in the cap of this remarkably consistent punk institution.

 

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34. NONAME- ROOM 25

 

 

 

Second self-released album by Chicago rapper and spoken word artist Noname even betters her debut “Telefone”.  Noname throws in jazz & neo-soul beats creating a vibe, which is simultaneously relaxed and confrontational.  Always thought provoking- Noname talks love, career, violence, death & racial and gender politics.  Of the moment and encouraging all of us to be better, including herself.  Fellow Chicagoan guest stars like Ravyn Lenae, Saba & Smino further enhance the music.

 

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33. THE INTERNET- HIVE MIND

 

Second album by talented R&B/Soul outfit featuring lead vocalist and solo act, Syd, which offers are rock solid array of songs that vary from upbeat pop to slinky funk to sultry slow jams.  There are no obvious standout tracks here but no filler either and “Hive Mind” gets better with each listen.

 

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32. 1975- A BRIEF INQUIRY INTO ONLINE RELATIONSHIPS

 

Third album by British pop band The 1975 is stylistically all over the map.  Though it’s tough to love every track, the group’s ambition, excess and outrageousness is easy to admire and the group delivers perhaps the song of the year, and if not certainly the song that most captures the year’s zeitgeist, with “Love It If We Made It”.  The band combines current pop, nineties R&B, eighties yacht-rock and adult contemporary, schmaltzy jazz and indie-rock and somehow make it work- usually….

 

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31.  TRAVIS SCOTT- ASTROWORLD

 

Master rap curator, Travis Scott, brings together many of the biggest names in modern rap, R&B and indie-rock, including The Weekend, Drake, Frank Ocean, Thundercat, Sheck Wes, Gunna, Juice WRLD, John Mayer & Tame Impala’s Kevin Parker to create one of the year’s biggest event rap albums.  “Astroworld” captures the sound of rap of rap today, murky and psychedelic, but placed in an accessible package.  Lead track “Stargazing” is a big highlight and the Drake featuring “Sicko Mode” is one of the hottest tracks of the year.

 

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